Catwalktrends ss2010: Headbands

Although many designers gave their models a natural look and let their hair hang loose, some of them experimented with the model’s hairdo’s. We saw braids, we saw curls and we saw headbands!

Stefano Pilati created the most outstanding headband-look for Yves Saint Laurent. His girls wore the zig zag headbands you may remember wearing when you were a kid. Yet his models didn’t just wear one of them; it must have been at least ten headbands per model.

Then we had the Hermes models who wore wide headbands, some with a snake print. In the Bottega Veneta show all girls wore the same white ones. At Lacoste the models got a braided white version or a colorful striped one. And Michael Kors’s models showed some transparent plastic ones that matched with his bracelets.

Marc Jacobs of course used his headbands with bow and Sonia Rykiel had the black flat circular ‘hats’ attached to hers. Sienna Miller gave her girls a turban-looking headband for her Twenty8Twelve show.

groupielove #14

After Fall’s long, almost clerical lengths and the fifties ball skirts of the season before, he went short and leggy for Spring. The recurring silhouette was a drop-waist frothy minidress reminiscent of the twenties. Smothered in dense fringe or feathers (both real and represented in trompe l’oeil prints) or swirls of jeweled embroideries, these jazzy numbers were interspersed with the egg-shaped dresses and cocoon coats that have become a signature of Valli’s nearly five-year-old collection. This season, those came in graphic color-blocking or overscale prints and embroideries inspired by antique carpets. Bold leopard-stamped ponyskin was also in the mix; a short-sleeved jacket and shorts suit in the stuff seemed to attract particularly strong interest from his socialite fan club.

Beautytrends ss2010: frizzy hair

While we’re spending millions on hair straighteners and anti-frizz products the frizzy hair look is promoted big time on the catwalks.

In many shows the models’ hair was messed up and looked frizzy. At the Etro, Westwood and the Sonia Rykiel show the hair looked extraordinary. And what about the big Afro-wigs at Vuitton!

Of course the frizzy hair had to be the look of Sonia Rykiel’s models. That hairstyle has become the brand’s trademark. Other fashion brands must have chosen the look because they wanted to show something else, not because it looks so good.

The frizzy hair trend could be catastrophic for the economy. Yet it would be a solution for all women who’ve died, bleached, curled and straightened their hair so much that it has become frizzy itself.

Groupielove # 12

Narciso Rodriguez embraced his softer side for spring summer 2010. And it made for a stronger collection. The vibe was still plenty sexy, like the killer sheath color-blocked from jute linen canvas and black silk jacquard.  A pair of shifts, one in white, the other pink, came with graphic cutouts on the upper back, while another dress was essentially a mesh tank with strategically placed ovals of printed fuchsia silk. All three were revealing without being vulgar, a balance other designers have had some difficulty achieving this season.

But Rodriguez also loosened up the silhouette dramatically, letting the air in, so to speak, on everything from a white silk, linen, and organza bubble dress to a silk mud-cloth coat. The show ended with a trio of short-in-front, long-in-back tent dresses that took this concept to the extreme. Chic, modern propositions for a black-tie evening, they billowed dramatically behind the models in the runway breeze.

Trends ss2010: flower power

Since we feel the overall vibe of femininity  for next spring,  the floral prints we spotted fit perfectly in with that. The flowers were usually small ones, repeated hundreds of times on the fabric.

At the Jackson and Moschino fashion show it were Oxeye daisies. Yet other designers (Yves Saint Laurent, Luella Bartley, Oscar de la Renta, Dolce & Gabbana) used rose prints. Viktor & Rolf didn’t have floral prints in their clothes but they did use roses to decorate their pink boots.

Overall the flowers had a very classic feeling to it. The way they were painted and the colors that were used really felt like your grandmother’s wallpaper.

The prettiest floral prints were those of Dolce & Gabbana. Their perfect shapes and colors could be seen on r dresses, shorts, tops, jackets and lingerie. In one look a floral printed skirt was even mixed with a leopard printed top. Both with black lace on the edges.

The ss2010 collections lack lots of color, but the florals do add some brightness to next season.

Groupielove # 7

Turning out refined day looks and eveningwear since 1981, the house of Herrera specializes in classic shapes (lean trousers, pencil skirts, A-line ball dresses, and nipped-waist jackets) stitched up in soigné silk faille and jacquard, luxurious taffeta and mink. In recent seasons, Oscar regulars like Renée Zellweger have splashed this most Park Avenue of labels with a starry dash of Hollywood Boulevard.

Carolina Herrera made a name for herself by dressing well before she began designing well. (And she is still recognized for her chic uniform of crisp white shirts and tailored black trousers.) She was born in 1939 to a family of Venezuelan aristocrats and, with her second husband, Reinaldo Herrera, partied with a coterie of 1970’s jet-setters that included Mick Jagger and Andy Warhol. Herrera landed on the International Best-Dressed List time and again during those years, and was named to its Hall of Fame in 1980. The same yearHerrera designed her first line of ready-to-wear as a “test.” She aced it.

Herrera was named the CFDA Womenswear Designer of the Year in 2004, and in 2008 the organization gave her the Geoffrey Beene Lifetime Achievement Award.

Groupielove #6

Trey Speegle’s giant paint-by-number canvas spelling out the word YES at the back of Stella McCartney’s runway summed up the mood of her collection quite succinctly. These were uncomplicated, upbeat, and above all colorful clothes for women who prefer not to think too hard about getting dressed but still want to look young, sexy, and chic. It’s a sentiment that McCartney, a mother of three young children and the head of a growing fashion empire, understands intimately—as do her loyal customers, including front-row pal Gwyneth Paltrow.

Make-up trends ss2010: bright eyes

No smokey eyes next season, but bright colorful ones that really stand out and give you that summer-feeling.

The models’ eyes were painted in every color of the rainbow. At Dior they were purple, blue and green. At Fahri they came in a pastel green and purple combination. Galliano’s girls had pink eyes. Luella Bartley gave her models a thick layer of blue eye shadow, which even crossed their eyebrows.

At Issa the eyes were metallic green and at the Derek Lam fashion show they looked like little rainbows in orange, purple and green. Viktor & Rolf gave their models a mix of pastel-colored eye shadow as well; we saw pink, blue, purple and green. Those colors matched with the outfits from their SS2010 collection.

The combinations of many bright colors looked great on each of the models. So for next summer I think we can spice up our make up and try to create the same pastel-colored eye shadow look for ourselves. If you dare, use green and purple; they seem to be the main colors for 2010.

Trends ss2010: skinny pants

Although the first celebs are already wearing wide-legged jeans, the skinny trend continues. For spring/summer 2010 the long and skinny model legs were still accentuated by tight leggings or ulta skinny pants. Not in denim, but different kind of materials.

Often it was hard to distinguish a pant from a legging, as they were equally tight. The skinny pants were often combined with loosely-fitting long tops, blouses or jackets.

At the Balmain fashion show there were skinnies in black and (glittery) camouflage. Barbara Bui designed hers with fish scales. Balenciaga’s pants had leather details. The Burberry and the Ungaro pants were pleated from bottom to top. At the Chanel Fashion show the boys wore the same black/green skinny pants as the girls. Roberto and Eva Cavalli designed a pair of light and shiny trousers with horizontal tears. The skinny pants from Matthew Williamson, Tony Cohen, Givenchy and Versace had all kinds of  patterns.

Since the skinny pants and the loose-fitting tops make such a great outfit together, it’s not time yet for the wide pants to return.

Groupielove #4

Karl Lagerfeld is still going strong and he can’t get enough of fashion yet. “I like imagination — and the way I think things could be, had been, or should be — better than reality”, is one of hist latest oneliners at Twitter. Well, hios collection for Fendi was better than reality: wispy fabric, ivory and ecru, off-pastels, and fraying edges with a little touch of Parisian lingerie. It looked as if Karl Lagerfeld had drawn from his French vocabulary to make a cream silk high-necked playsuit (part classic blouse, part romper) and a dotted tulle shirt with a frilled triangle bra beneath. Thankfully, it didn’t slip completely into the clichés of boudoir (hypersexy is not the mood). That’s because of the more rough-hewn elements—say, a pale blue linen sarong, wrapped like a simple piece of raw-edged fabric around the body—and the incredibly luxurious Fendi craftsmanship.

« Previous Page — Next Page »