Highlights London Fashion Week ss2012

Some 104 shows and presentations in London in one weekend. After one week of New York fashion this seemed an unreasonable task, but journalists, buyers and photographers succeeded. And just before Milan takes off, we want to present you the highlights of London ss2012. Erdem, Burberry, Christopher Kane and Paul Smith all delivered beautiful collections which made sense and also fitted in the trends we saw already blossoming in New York.

Burberry Prorsum

Christopher Bailey was paying homage to all things natural. Skirts with high, tight waists  teamed with form-fitting tops of striped crocheted wooden beads. Woven raffia, in stripes of mustard and navy or plum and black, made super slim, high-waisted pencil skirts under cropped, cotton Parkas. There were African inspired prints for draped dresses, jackets and skirts.

 

Erdem

Erdem’s focus was again on florals, which he re-uses season after season. This time round they were  pretty: buds of cornflower-blue, lemon and poppy-red dotted, off-the-shoulder dresses, chiffon skirts and shifts.

 

Christopher Kane

To create his “ghost fabric”, an iridescent metallic floral that crackled with light and movement, Christopher Kane layered four materials including an organza made almost entirely of aluminium. He mixed it up with semi-transparent dresses patched with flower stickers, washed-out pastel satins,  sleeveless cricket jumpers and flat sandals.

 

Pringle of Scotland

This was Alistair Carr’s debut at Pringle’s womenswear.  Knits were the star, from trompe l’oeil intarsia technique that made light work of chunky herringbone. Twinsets were present too, fastened at the back for summer. There were also silk dresses patchworked together with twinset buttons.

 

Paul Smith

Sir Paul and his team know more about tailoring than any other womenswear designers, that’s why is menswear-inspired womenswear-collections always looks so stunning and perfect. And his use of color is unique.

 

Giles Deacon

The collection and show of Giles Deacon seemed a meeting of heaven and hell. The angelic looks of feathers, silver dresses and laser cuts combined with vivid red detailing to offset them. The swan became the overriding theme, featuring as it did as a print on everything from couture-esque gowns to trousers and tunic and in tiara’s. This was drama to the max.

 

 

 

 

 

 

Round Up New York ss2012

The good news is that the NY spirit was more optimistic and colourful, decorative and creative then we have seen for a long time.  The big news was digital printing. But how new was that? We recognised many inspirations from previous seasons from various hands. Repeated looks and themes where blended, swirled and twisted. It was like everything was like anything and everybody inspired everyone and all collections of previous seasons came together for a cheerful remembrance party.  But yet we still would like to point out some clear leads.

SPORTS VIBE

With Alex Wang at the forefront, this shows the feel for active and performing, technical fabrics. It’s very sports inspired, with racy details and closures and fuelled with sensuality.

 

TRIBAL

Proenza Schouler and Donna Karen hit the road with rattan and raffia tribal patterns in an African ethnic palette.

 

ARTIFICIAL CHIC

Marc Jacobs didn’t want things to feel real and they didn’t. Reminiscent of Prada he played with plastics and high sheen, sparkling surface effects and all kinds of innovative finishing. Dazzle and flash.

 

DIGITIZE

Why did it take that long and why does it stay that close to the pavement laid out by those great pioneers, Alexander McQueen and Mary Katranzou. Lovely, happy and very exiting though.

 

RETRO HOLIDAY

This theme shares with us moments of nostalgia and makes us long for times that were innocent and frivolous. Holiday forever in these not just referenced, yet simple literary quoted historic silhouettes.

And it just can be that you find al those influences passing by in one single catwalk show, serving collections like ‘grand desserts’.

Stylespot is a collaboration with Stijlinstituut Amsterdam

Ralph Lauren Catwalk Fashion Show New York ss2012

Ralph Lauren took inspiration from the The Great Gatsby, the movie he designed the clothes for in 1974. When he designed the clothes it started a mini Jazz Age at that time and Lauren’s career took off. It seems the time is ripe for an updated version of this style, especially now Baz Luhrmann is busy with a remake starring Leonardo Dicaprio and Carey Mulligan.

Lauren loves the feminine/masculine mix and that shows. There were  wallpaper floral t dresses,  pastel silk pajama pants, and “vintaged” cashmere sweaters with fake moth holes. For accessories: raffia platform sandals, embroidered and fringed bags, and delicate scarves.  As for the masculine side:  pinstriped three-piece suits with cropped pants, shorts, full trousers and the leather Perfecto jacket. For the evening Lauren introduced silver flapper dresses and column gowns.

 

 

First View New York ss2012: Tribal

Urban tribes stride the catwalk. Each designer driven by personal inspirations and motivations. ‘Afriluxe’ states Michael Kors, a more minimal tribal turn for BCBG, Haiti influenced Donna Karan where Proenza Schouler designers followed their feel for crafts. Roomy tunics, slouchy shifts and rompy sweaters shape this decorative and laid back look. Brush stroke prints, dip-dyed patterns in a Haitian inspired colour palette; earthy shades and shots with burning orange, deep purple, golden ochre and sea green. Superior craftsmanship is shown in beaded patterns, raffia weaves and tie-dye, batik and ikat patterns. From precise and traditional folk interpretations to expressive, graphic and large-scale tribal twists.

This third ‘Stylespot’, analysing the New York catwalks, is one more proof of the power of print.

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

Proenza Schouler Catwalk Fashion Show New York ss2012

It was pure irony, the ss2012 collection of Proenza Schouler. But beautiful irony. Their inspirations included Fifties car interiors; Googie architecture, and the work of Morris Lapidus, the architect behind Miami’s  Fontainebleau hotel. Well, to put it simple: it was about questionable taste.

Key pieces were tight cropped sweaters and a cobalt A-line skirt in eel skin that formed one-half of one of the lineup’s best looks — but the collection was not so  serious and sophisticated affair. McCollough and Hernandez worked their references with originality, precision and craftsmanship. They were not afraid to use the so-called bad-taste elements, like tiger-print car interiors and the orange, green and gold palette from the Seventies.
What made the collection strong was the mix of pinup and sultry secretary. Bustier tops were paired with pencil skirts in neon and tropical prints. Yet there was a crafty undercurrent throughout. Raffia was woven into color-blocked knits and remarkable dresses that had cutout maillot tops and wide-weave cage skirts. For the finale, the designers embroidered  Hawaiian florals on tulle dresses with open backs and narrow skirts. Talking about modern retro.

3.1 Phillip Lim Catwalk Fashion Show New York ss2012

Just when you thought you couldn’t have any more rich, over-the-top prints and screaming colors, Phillip Lim moved in with a refreshing palette. His collection  was full of sorbet colors — icy peach, pink and yellow — served on silhouettes that were relaxed. There were loose, racer-back tanks and track pants with zippers at the sides, some that concealed or revealed a stripe.

It was a relaxed basis on which Lim layered and explored a-symmetric cuts. Lim started gently, with tanks and slipdresses outlined in fluttering folds designed to catch the breeze. His program cited kites as a source of inspiration, and the fly-away motif was pretty and serene in small doses. The message at large seemed to be sporty minimalism.

Narciso Rodriguez Catwalk Fashion Show New York ss2012

Narciso Rodriguez’s inspiration came from artist Kim Joon, whose large-scale, swirl-heavy tattoos make for fascinating and ponderous art. Rodriguez used it in a refined way. The result was an impressive collection that looked different in the midst of this print-heavy season.

Rodriguez opened with a black top over white pants, simple but powerful. He then increased the intensity of geometry, stripes, bands and squares going this way and that. Hard lines and gentle curves, black, white, sand and lovely water-colors.  When he went for pattern, it was subtle.

Marc by Marc Jacobs Catwalk Fashion Show New York SS2012

The presentation of Marc Jacobs’ main collection is delayed by Hurricane Irene, so we’ll have to wait for his master’s collection until Thursday, the last day of New York Fashion Week. His second line Marc by Marc Jacobs was presented yesterday. And what a surprise. Instead of his signature vintage look and feel and references to other decades, this was a sleeker, cleaner and more grown up collection.

In the press release Bauhaus was mentioned as a source of influence, and minimalism certainly defined the collection in silhouette and color. There were boxy tops, shorts and simple shift dresses and skirts. Plain but powerful.

Tommy Hilfiger Catwalk Fashion Show New York SS2012

Tommy Hilfiger presented a preppy, but less loud spring-collection. No outsized florals like other designers showd, but men’swear checks and subtle shirting stripes. There were some bright motifs in orange and blue, pink and green in Mod-like cuts and sometimes with matching element like swimsuit, skirt, bag and shoes.

Swimwear was an important theme, but there were plenty of shirts- and T-dresses, bi-color raincoats and soft knits.

 

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