Jean Paul Gaultier Catwalk Fashion Show SS2011

Today Jean Paul Gaultier presented the future. His runway show was 3D! All guests attending the show (including singer Kelly Rowland) got special 3D glasses to watch the special effects JPG had added to his show.

JPG’s models were as diverse as they could be: pale, bronzed, bearded, shaved, blond hair, brown hair. A few had glasses on and some had afros. Some were young, others looked older. Even a blond haired girl popped up twice at the show.

The clothes for spring were like the models: a little bit of everything. They seemed to be Moroccan inspired so we saw some see-through fabrics and a few caftan-like blouses. The set of the show was a steamy hammam.

At first JPG showed some transparent black. Two tops were closed with laces at the front. Then some beige looks came buy; jackets with lots of pockets and big scarves (for a cold summer night?). Some printed creations followed. Those prints looked as if they were made out of paint splatters. The models wore a strange kind of bonnet to go with the printed outfits.

To stick with the Moroccan feeling JPG had added some embroideries to his blouses matched with pants that were tight at the bottom and loose around the crotch. We then saw an overall, a suit jacket matched with shorts, a skirt, one black caftan that reached the floor and a see-through black one-piece outfit.

Though JPG mostly used brown, black, beige and white in this collection, he did add some cobalt blue towards the end. Not to speak of the finale, when models entered the runway in bright, shiny, printed designs that came to live with 3D glasses.

The collection maybe was a bit messy, but there were some good items in it. And the fact that JPG was the first designer to use 3D in his collection is worth some extra credits too.

Louis Vuitton Catwalk Fashion Show Paris FW2010

The circle is round. What started with the 50’s/60’s inspired show at Prada two weeks ago ended yesterday with a Louis Vuitton-collection in a production that breathed the Fifties-sixties in every outfit. The collection was inspired by And God created women, the movie that made Brigitte Bardot a big star, and the models looked sensual, feminine and curvy.

Marc Jacobs explained his take on the Fifties as an excuse to to pause and appreciate what a house like Vuitton is capable of creating. And that are bags actually, so there was a beautiful bag for every oufit Jacobs sent out – like fantastic redos of the Vuitton Speedy.

The silhouette was curvy with focus at the waist, full skirted dresses or full skirts mixed with tailored jackets- that’s probably why Jacobs hired Laetitia Casta, Bar Refaeli, Catherine McNeil, Karolina Kurkova, and finally Elle Macpherson, all women who were banned from the fashion-shows for a long time because of their beautiful, curvy body.  Jacobs made them look  fresh, feminine and ingenue, with hair scraped back into high, bouncy ponytails; clean makeup; and square-toed, block-heeled pumps trimmed with flat bows.

Louis Vuitton Catwalk Fashion Show Paris FW2010

Chloe Catwalk Fashion Show Paris FW2010

Well, camel is the new black for next fall. And clean, sporty minimalism is the trend.

The collection Chloe’s Hannah MacGibbon sent out yesterday had it all. Her collection mixed the all classic American sportswear with a Seventies touch. It looked sleek and sensual – especially the wide legged trousers with high waist – everything was cut loosely to the body, there were great, big coats, sweater-like cashmere T-shirts and elegant blouses with draped bow details.

The only that we missed was, ehm, color. Besides 80 % camel, brown and black were the only ‘colors’ in the collection. That made it look a bit dull and tame, while camel is a great color to mix with some vibrant orange, electric blue or mean green. We would have been happy with a pair of gloves, a belt, a necklace or even a lipstick showing the sunny side.

Yves St. Laurent Catwalk Fashion Show Paris FW2010

The Yves St. Laurent-show started promising with a variation on the Little Black Dress with cape and a black three piece suit. Such a clean and classic look would be just on trend, as more houses are aiming at the new sporty minimalism. And no other house has a history in tailored sportswear and classic Parisian sensibility as the house of Yves St. Laurent.

But somehow designer Stefano Pilati tried too hard to be classic and modern, it needs a creative talent to make conservative sporty chic look dynamic and not dated. The long skirts however looked dull, the white shirts were dowdy and the plastic capes and eveningwear sexless. It looked like the collection was made for a nun instead of a woman of the world. Also because of the caped black forms, the head-coverings, the white cotton and heavy chain pendants.

Stefano Pilati told reporters that the collection was all about protection and that is was partly an homage to YSL and the tailleur. Maybe he should take a look at the retrospective on YSL that soon will open in the Petit Palais in Paris – there’s still a lot to learn from the old master.

Givenchy Catwalk Fashion Show Paris FW2010

Riccardo Tisci proved it is possible to translate a ski & scuba-theme into a dark, mysterious collection. There were some tight, cheerful knits with a snowpattern and neoprene pants, but it never got too sporty. The slim pants and skirts, unzipped and unfurled at the waist, referenced scuba gear for some, Seventies ski outfits for others.

It was just another collection with Tisci’s signature tailoring:  sharp coats, tuxedo suits, and lean black pants. Red glitter gloves, bags and lips accompanied the clothes, as did sexy scarlet, black and nude lace. One of the best looks were the black leather pieces — mini slips and skirts — mixed with lace.

Stella McCartney Catwalk Fashion Show Paris FW2010

Suddenly clean, minimal fashion is a hit. It started with Jil Sander and Raf Simons, then Phoebe Philo at Celine and now Stella McCartney got caught by it too. Gone are her sexy, flirtatious clothes with a classic touch, her fall/wintershow opened with a sleek gray cashmere coat just above the knee, worn with bare legs and slingbacks. Second outfit was a camel/blue  tunic with oversized stripes worn with slacks.

Gray, black, blue and camel were the main colors of the collection, with orange and fuchsia as shocking contrast. Graphic illusions were created with floating sleeves and geometric wool appliques on organza dresses. Cosy and comfortable were oversized cardigans in fishermen’s rib and a wrap coat in structural wool. Great basics were the stretch stirrup trousers, their slim silhouette paired effortlessly with the knitwear and tunics.

The eveningwear looked more glamorous with the draped backs and flesh revealing slits. The dresses had long train extensions.

The show was dedicated to her family, kids and team, but also to Lee – Alexander- McQueen. ‘You’re missed’, Stella wrote in a personal note.

Céline Catwalk Fashion Show Paris FW2010

Phoebe Pilo’s debut springcollection at Céline was a huge success. Copies of her crisply chic safari jackets and dresses, the long white shirts and A-line skirts are dominating the stores of  cheap fashionlabels as we speak, but the house’s originals are also selling very well. Philo’s first collection was  a breath of fresh air at a time when fashion needed a respite from recession and the glamazon  look of black leather and big shoulders.

So expectations were high for her second collection. But as Philo said in her interview with T-magazine, she continued her work with great investment pieces in the best fabrics and in her signature clean, sophisticated cut. No frills, but deep blue coats instead, tailoring, short jackets, skinny pants, white (lace) shirts and leather pockets as a contrasting detail at A-line skirts. Ultra-chique and a winner were the white lammy capes. Simple, but feminine.

Costume National Catwalk Fashion Show Paris FW2010

The Costume National-collection reflected the menswear-collection, presented earlier this year in Milan, with lots of knitwear, wool and leather. The overall image was that of a tough girl wearing brown  leather suits or skirts mixed with fluffy, fringy knitted jackets, sometimes sleeveless,  and sweaters. Dresses were short and also had fringed detailing.

It was the usual Costume National mix and match of contrasting structures in fabrics, shiny and matte, fluffy and smooth, woven and knitted. Sometimes orange clashed with brown, or silver with black. Only this time it looked more tailored but raw too.

Comme des Garcons Catwalk Fashion Show Paris FW2010

Again the female body and fashion’s obsessions with it triggered Rei Kawakubo to create her fall winter collection for Comme des Garcons. And again, like in her spring 1997 collection, she aded bulk and heft to all the places fashion avoids if it seeks to flatter and make sexy.

Humps and bumps were placed on shoulders, hips, backs and bodices. Kawakubo used pillowform outcrops of padding which she added to the clothes – coats, jackets, pants, skirts, dresses – and therefor completely changed the silhouette. This was a show that discussed the rules of beauty, ‘Inside Decoration’ was the description the designer gave in her press release. It’s probably the beauty within that makes her ugly clothes shine and elegant.

But you’ll never know with Kawakubo, the only thing you know for sure is that she keeps on tickling you and you fashion-expectations over and over again.

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