Cacharel Catwalk Fashion Show Paris FW2010

Today Cacharel showed us a lot of what the brand is famous for: prints. They were there on the skirts, tops, dresses and coats and were computer printed. Some designs had small flowers all over them, others had larger patterns. A 16^th century French tapestry appeared to be the inspiration for these prints. So Cedric Charlier, whose second collection for Cacharel this was, literally ‘used the history of the brand (the prints) and took it to the future’ (computer prints), like he told the press.

The warm colors (red, gold, burgundy, green) were breathtaking and perfect for autumn. Especially a golden skirt with a red top and a black cardigan looked lovely, and very wearable too!

Made of silk and wool most pieces looked pretty decent. The long sleeved dresses (knee-length), the belted coats, and the skirts (above the knee) were not very exciting when it came to shape. Still the models looked very elegant and well-dressed in it.

The great thing about this Cacharel collection is the fact that almost any woman will find something she likes. And, while the designs are so wearable, she will easily be able to mix and match that item with clothes from her own wardrobe.

Vivienne Westwood Catwalk Fashion Show Paris FW2010

Fairy tales like Hansel and Gretel, the Sleeping Beauty and Jack and the Beansteak were Westwood’s inspiration for her Prince Charming (fall) collection. Her models wore large colorful crowns, hats and cloaks. Their lips were bright red, their eyes were dark and some models had small mustaches painted on their faces. Very fairy tale-like indeed.

Like children love fairy tales they would have loved this colorful collection. The brightest pieces (in purple, red, mustard yellow and blue) were combined together. Colored leggings, belts, enormous hats and big bags completed the looks. Every item seemed to add more fun to the collection. Yet, apart from a pair of printed black and gold leggings, we probably wouldn’t leave the house soon in any of the designs. The shapes just looked too crazy and many items didn’t look finished.

The emphasized shoulders and the voluminous dresses were two great aspects of the show. Towards the end a white dress with floral prints and a light-colored waist belt looked lovely. An orange/pink gown felt like French couture and would also look perfect on the Sleeping Beauty (plus sleeping is probably the best thing to do in a delicate dress like that).

As in this year’s menswear shows Vivienne Westwood paid some attention to climate change. According to her climate change is, at the moment, the context of everything she does. ‘Like everyone who has woken up to the fact that we are endangered species I try to do something about it. And I wish to understand the world’, she said. Still, apart from a water bottle with the message ‘Stop climate change’ on our seats the problem wasn’t visible during the show.

With this collection Westwood showed a good game of dressing up. But although we knew the inspiration (fairy tales) of the show we didn’t get the one model that seemed to be calling on her cell. We also didn’t understand the dress full of paper streamer. As far as we’re concerned that dress was never worn in any fairy tale. So when we heard ‘If you could read my mind love’ at the end of the show we actually wanted to read Vivienne’s. Caus some parts of the show we just didn’t get.

Manish Arora Catwalk Fashion Show Paris FW2010

I remember helping his models get dressed for a show he gave in the Netherlands. I was amazed by the colorful architectural designs he had created. I loved how his designs were embroidered with crystals and beads. It was all so different from everything I had seen before.

With his fall/winter collection Manish Arora proved he still had that ability to amaze people. We were wowed by an off white dress with eye-catching, padded shoulders and a strange print. A dress with a pink peacock pattern and a gray sequined top caught our attention as well.

Apart from the peacock influences and some floral details Arora used a lot of geometrical prints in every color of the rainbow (all made from beads and crystals). The emphasize of the clothes was clearly on the shoulders and upper arms. Rounded and pointy designs alternated each other.

As if there wasn’t enough color used in the clothes all model wore bright, short wigs and contrasting colorful eye make-up. The last three girls even had a luminous bundle of treads on both side of their heads.

Manish Arora’s show full was a lot of fun to watch. Not all designs will be very wearable, but when you show this much creativity in a collection wearability is not all that matters.

Rick Owens Catwalk Fashion Show Paris FW2010

With their hair combed backwards and their black (mean) eyes Rick Owens’ models looked like a tribe of wild, powerful women. Their asymmetrical clothes had the most unusual shapes. Some of the garments even seemed to exist of only a thick blanket in some way sewn to make it wearable.

The show felt dark in many ways. The runway was hardly lighted, the models wore dark make-up and, as always with Owens, the clothes had a very dark edge to them. Yet we must say it was pleasant to see some earthy shades of green, gray and brown, in stead of all the black we saw last season. Owens even used a splash of metallic in some of his designs.

His materials varied from fur to wool and leather. Most of the leather jackets had eye-catching standing collars, which made the models look even tougher.

A combination of a long waistcoat and a hoodie was repeated throughout the show several times. It came by in a gold/beige metallic version and in fur and leather. One of them had geometric patterns all over it. Those patterns and the zigzag leggings felt pretty renewing for Rick Owens.

Many of the clothes were decorated with small pointy pieces of (what looked like) plastic. The small hooks with which they were attached were clearly visible.

The models wore wedge boots and remarkable gloves with fur details. Their big leather belts made them look extra powerful.

So all though ladies will have to make their way to the Rick Owens store next season. Let’s see if they can make those tribal designs work without the crazy hair and make-up from the show.

Gareth Pugh Catwalk Fashion Show Paris FW2010

Gareth Pugh may have used a softer approach for his fall/winter collection, his models – with black sprayed foreheads – looked as Gothic as they ever did. They wore heavy, stiff, leather designs and some transparent pieces. Many clothes were pointy to the sides and a lot of the fabrics had frayed ends.

Strong were the women on the runway, dressed in Pugh’s long silhouette accentuating pieces. They looked quite the opposite of some of the male models, who were dressed in tight pants and a rigging or a tank top.

Many of the clothes touched the floor as the models walked the runway. Especially the wide legged male pants were floor-sweeping.

A lot of attention went out to the collars of the designs. They came in many variations (pointed, standing, folded) and looked out of the ordinary.

The show pieces in Pugh’s finale must have weighed a few pounds extra while they had lots of gray chains attached to them. We didn’t immediately jump off our seats when we saw those, but they sure fit perfectly with the Gothic feeling of the show.

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