What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Womenswear Fashion Week spring/summer 2017.
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What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Womenswear Fashion Week spring/summer 2017.
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What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Womenswear Fashion Week spring/summer 2017.
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What are they wearing during the international fashion weeks? A Raf Simons jacket, that vintage YSL or their latest Comme des Garcons suit? During the fashion weeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Womenswear Fashion Week.
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What are they wearing during the international fashion weeks? A Raf Simons jacket, that vintage YSL or their latest Comme des Garcons suit? During the fashion weeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Womenswear Fashion Week.
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The Mulleavy-sisters wanted to tell a San Francisco story for their fall Rodarte-show. Their collection was an ode to Art Nouveau romance inspired by music posters and the genre’s crafty, gypsy-nymph decoration and witchy fantasy.
Slim, tea-length dresses sectioned into collagelike panels of hand-beaded and hand-painted guipure lace with floral and bird accents were dreamy examples of the designers’ imaginative eveningwear with a homespun touch. Perhaps taking a cue from Scott McKenzie, these San Francisco nouveau fairies were sure to wear flowers in their hair. Other pretty dresses featured a single sleeve with bodices and skirts traced in pink, black and burgundy or pink ruffles.
The daydream was interrupted by clunky ruffled leather pieces (jackets, belts, gloves); garishly colored long-haired goat jackets, and boots that stretched up the calf in cutouts and brown ruffles.
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What are they wearing during the international fashion weeks? A Raf Simons jacket, that vintage YSL or their latest Comme des Garcons suit? During the fashion weeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Womenswear Fashion Week.
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Dutch designer Sander Lak was the talk of town yesterday in New York. His fresh and relaxed debut-collection – after working for years as headdesigner at Dries van Noten and – was a welcome change of style between all the heavy, furry and layered styff people had been watching over the past days. The name Sies Marjan is a combination of his parents’ given names. The Dries influence was notable, most obviously on his familiar use of color combinations: warm pastels offset by natural tones. The freshness was in the more urban, utilitarian hand.
Lak sent out a beautiful wispy silk floral mid-length dress with a twisted cutout detail at the bodice, followed by a cargo pant and tunic version. But it was the Impressionist-printed jacket and matching wrap skirt, adorned by a fur stole worn like a slouchy backpack, that set the tone.
A disheveled button-down shirt, with oversize trousers was next-generation chic. Lak also paired languid tiered knits or big imperfect-ruffled blouses with diaphanous skirts, and showed trench coats that hung from the models’ backs on halter straps. It was all very, very cool.
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Phillip Lim did a lot with practical sportswear, elevating simple pieces, such as A-line minis, shifts and boyish trousers with a bit retro plaids — micro and macro — in sour shades of green, rust and brown. The beginning of the show had a neo-rockabilly attitude cross-pollinated with the unusual sporty Zen of quilted nylon puffers with kimono trims and flat, hardy sandals.
It was a thoughtful collection, full of left-of-center ideas that worked. Some of the best looks fused utility and romance, such as a series of Army green items, including cargo pants with patchwork-velvet panels and an oversize parka with a fur hood, slashed elbows and orange embroidery. Lim also joined in the season’s velvet renaissance, with a burnt-orange velvet suit, a fitted navy motor jacket with leather sleeves and velvet booties, some of which had a contrasting silver toe.
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Tommy Hilfiger hit the deck by transforming the Park Avenue Armory into the T.H. Atlantic, a massive vessel leaving no nautical motif out to sea in his fall collection. Set up like a giant, early 20th-century passenger liner under a starry night sky with VIPs seated on the deck, the show was a Tommy Hilfiger theme park. The takes on admiral jackets, stripes, sailor pants and tops and Thirties-era printed silk dresses with Peter Pan and sailor collars were executed with a high level of polish.
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FOR EDITORIAL USE ONLY
WITH CREDITS
PHOTO © 2016 TEAM PETER STIGTER
FOR EDITORIAL USE ONLY
WITH CREDITS
PHOTO © 2016 TEAM PETER STIGTER
FOR EDITORIAL USE ONLY
WITH CREDITS
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