Oda Pausma Catwalk Fashion Show SS2011

‘Hobohemian Heaven’ was the title of Oda Pausma’s collection, she presented on Thursday. It was based on the fusion of two worlds: poetical and rebellion. Imagine live under the roof of the boheme, artists haven, the Chelsea Hotel New York of the seventies….

Jiska van Rossum Catwalk Fashion Show SS2011

Designer Jiska van Rossum presented her collection ‘Adorned in Elegance’ this week. Like in al her clothes sensuality and temptation were important aspects of her menswear clothes.

Dutch Models – New Face: Melissa Tammerijn

She just popped up out of nowhere and is planning to stay around for a while. Dutch model Melissa Tammerijn (19) from Delft started off as a runway model last season (fall/winter 2010). And lucky for her she already got to walk in big shows like Marni, Balenciaga, Viktor & Rolf and Sonia Rykiel. Besides, Melissa was booked exclusive for the Calvin Klein fashion show, in which she walked next to accomplished models like Stella Tennant and Kirsty Hume.

With her bright blond hair and her strong face Melissa is often compared to Uma Thurman. And she might just become as well-known as the blond actress.

Recently Style.com, as well as, Models.com named Melissa as one of the Ten New Faces from last season. Last year Patricia van der Vliet and Mirte Maas were in that top ten, so the Dutch models are going strong.

Melissa is taking her career very serious and has already moved to London. Let’s hope we’ll hear a lot more from this dazzling Dutch beauty in the future!

Chanel Catwalk Fashion Show Paris FW2010

Global cooling, not global warming was the inspiration for Chanel’s fall/winter collection. Now don’t think the show was about durable fashion or had something to do with eco-friendly production. No, on the contrary Karl Lagerfeld even flew in an iceberg from Sweden to decorate his catwalk. After the fashion show that iceberg was to be flewn back to Sweden as well. If you ask us, this kind of superfluous actions only increase global warming.

During the show the iceberg was slowly melting, so all models ended up walking in big puddles of water. What a pity for the luxurious clothes! Karl’s long pants, floor-sweeping coats & dresses and his fur boots all got wet.

His fake fur boots, we must say. Cause the whole iceberg-thing might not have been so politically correct, Karl did use fake fur for this collection. He commented: ‘You cannot fake chic but you can be chic in fake fur’ and explained that fake fur, nowadays, looks very realistic. Because you can hardly see the difference between real and fake fur Karl decided this collection was to be a ‘triumph for fake fur’. The fur came in brown, gray, white and black and was seen on the skirts, boots, pants, cuffs, coats, bags and collars.

Other fabrics were leather and the typical Chanel tweed. Tweed was, of course, used for some of the short jackets, but we saw it on some coats, pants and skirts too. The skirts were rather short, compared to, for example those of Marc Jacobs. They ended halfway the upper leg. The collars of almost all designs were high, as were the waisted pants.

Apart from a little bit of red Karl didn’t use any colors. The show ended with the last models all wearing white designs. Even the necklaces and the large rings were white (they were metallic during the first part of the show). It all looked stunning with the real, white iceberg in the background. Yet we think an iceberg from papier-mache would have been just as nice.

Backstage at Lanvin Menswear fw2010

Peter Stigter went backstage at Lanvin this morning to capture the vibe. He spotted Lucas Ossendrijver – the designer of Lanvin menswear – and Alber Elbaz – creative director of Lanvin – backstage styling the models and giving interviews to journalists like Suzy Menkes (who was lyric about the collection: “Loving Lanvin has become the leitmotif of the 21st century. But there was a good reason why the menswear show Sunday was cheered so fervently. This is a rare historic house where the clothes seem to live in the moment, yet embrace a traditional masculine  only culture.”)

Take a close look at the accessories – those rings and snakeskin bags ! – and the clothes. This is menswear from today – never aggressive or conservative, but self-assured and loving.  And, most important: it brings back the fun in men’s fashion.

groupielove, the end

In his time away in New York, Williamson learned something about putting on a show. Honed by exposure to that city’s demand for brevity in design, his show in London was a much more focused, slim-contoured collection consisting of leather-inserted polished-linen sheath dresses, super-skinny pants, and paper-bag-waisted shorts.

groupielove #14

After Fall’s long, almost clerical lengths and the fifties ball skirts of the season before, he went short and leggy for Spring. The recurring silhouette was a drop-waist frothy minidress reminiscent of the twenties. Smothered in dense fringe or feathers (both real and represented in trompe l’oeil prints) or swirls of jeweled embroideries, these jazzy numbers were interspersed with the egg-shaped dresses and cocoon coats that have become a signature of Valli’s nearly five-year-old collection. This season, those came in graphic color-blocking or overscale prints and embroideries inspired by antique carpets. Bold leopard-stamped ponyskin was also in the mix; a short-sleeved jacket and shorts suit in the stuff seemed to attract particularly strong interest from his socialite fan club.

Beautytrends ss2010: frizzy hair

While we’re spending millions on hair straighteners and anti-frizz products the frizzy hair look is promoted big time on the catwalks.

In many shows the models’ hair was messed up and looked frizzy. At the Etro, Westwood and the Sonia Rykiel show the hair looked extraordinary. And what about the big Afro-wigs at Vuitton!

Of course the frizzy hair had to be the look of Sonia Rykiel’s models. That hairstyle has become the brand’s trademark. Other fashion brands must have chosen the look because they wanted to show something else, not because it looks so good.

The frizzy hair trend could be catastrophic for the economy. Yet it would be a solution for all women who’ve died, bleached, curled and straightened their hair so much that it has become frizzy itself.

Groupielove # 13

The Valentino-duo is now designing with a new Valentino generation in mind—one that likes its party dresses short and isn’t afraid of sheer. There wasn’t a (Valentino)red dress in sight. Instead, Piccioli and Chiuri romanced the soft tones of nude, rose, lavender, gold, and gray that have become the big color story of the season. Their methods included swirling organza around the body and tying it off with a flamboyant bow, embroidering tulle T-shirt dresses in antique laces and geometric metal paillettes, and printing chiffon with black orchids. A couple of fitted leather jackets and minis embellished with laser-cut rosettes provided a bit of edge. Glass slippers didn’t figure in this story, but the London-based milliner Philip Treacy did whip up some fanciful footwear with lace wings arcing upward from the heels.

In sum: This was a well-timed step forward for the new Valentino duo, one that put the brand at the center of some of Spring’s key trends and started to give it a new relevance.

Groupielove # 12

Narciso Rodriguez embraced his softer side for spring summer 2010. And it made for a stronger collection. The vibe was still plenty sexy, like the killer sheath color-blocked from jute linen canvas and black silk jacquard.  A pair of shifts, one in white, the other pink, came with graphic cutouts on the upper back, while another dress was essentially a mesh tank with strategically placed ovals of printed fuchsia silk. All three were revealing without being vulgar, a balance other designers have had some difficulty achieving this season.

But Rodriguez also loosened up the silhouette dramatically, letting the air in, so to speak, on everything from a white silk, linen, and organza bubble dress to a silk mud-cloth coat. The show ended with a trio of short-in-front, long-in-back tent dresses that took this concept to the extreme. Chic, modern propositions for a black-tie evening, they billowed dramatically behind the models in the runway breeze.

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