What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: London Fashion Week FW 2017.
What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: London Fashion Week FW 2017.
What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: London Fashioin Week FW 2017.
What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: London Womenswear Fashion Week spring/summer 2017.
What are they wearing during the international fashion weeks? A Raf Simons jacket, that vintage YSL or their latest Comme des Garcons suit? During the fashion weeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: London Womenswear Fashion Week.
The Burberry-collection for fall is a polished, high-shine medley of some of Christopher Bailey’s passions: military tailoring, the Mitford sisters, the Bloomsbury Group and some of his favorite art and music.
Bailey mixed masculine military overcoats with a battalion of glittering dresses. They came short with flippy pleated skirts; quilted or textured to resemble lightweight tapestries, or long with fluttery sleeves in a nod to the bohemians of Bloomsbury.
The designer also worked with lamé, Lurex and real metal yarns to give his silhouettes an insectlike iridescence. Sometimes, shine came from crystal embellishment and sequins, as in a cluster of minidresses that shone with a magnified flower pattern.
Outerwear — when it wasn’t doing military duty — came in materials such as bright green python, blanket plaid, technical down, high-shine leather and with details such as oversize toggles and fur.
What are they wearing during the international fashion weeks? A Raf Simons jacket, that vintage YSL or their latest Comme des Garcons suit? During the fashion weeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: London Womenswear Fashion Week.
For her fall collection, Mary Katrantzou translated her inspiration (an early commitment to American ’50s Western styling) into a collection of colorful and sparkly cowgirl clothes. Models tread an aluminum-foil runway in boxy rodeo jackets, shirtdresses and sheer dresses, all plastered with appliquéd hearts, stars and flames. The designer made a good case for a tooled leather pencil skirt, and the slightly pervy blouse — a sheer black polka-dot one, and a chestnut ciré silk yoked version — all of them “off” enough to be cool. At the end, there was a finale of extravagant dresses in tulle, several of which could find their way to the Oscars. But actually, it was the simple shirtdresses with manically jeweled panels on the front that came out as the winners.
Garteh Pugh sent out a strong message with his fall-collection: women are in charge. The powerful show was hinged on demonstrative, strong-shouldered tailoring with tinges of Thierry Mugler and Claude Montana.
It’s been a while since skirt suits stalked a European runway, and Pugh’s were streamlined and compelling, whether in camel, prince of wales check or an electric blue wool covered with embroidered stars.
Flaring pants were another key element in this ode to Eighties power dressing. They anchored a bounty of terrific coats: mannish and military ones with big gold buttons; cozy wrap numbers with built-in shawls; and dramatically flaring swing styles with cape effects.
Runway gimmicks included Hannibal Lecter masks and briefcases handcuffed to wrists, adding a disquieting frisson to what Pugh called an exploration of “the visual codes of raw female ambition.”
Here was another transporting and hyper-feminine collection from Sarah Burton for Alexander McQueen. Dreamy gauzy dresses in knits as fine as cobwebs; tuberose flowers hand-painted on leather coats and corsets, and feathered skirts made of ostrich plumes that had been lacquered to give them a brooding aspect. The designer decorated her clothes and accessories with talismans and surreal symbols, including pocket watches, butterflies, horseshoes, lips and eyes.
The show opened with mannish tailored coats with an extra lapel dripping, as if in a Dalí painting, over the shoulder, forming an offbeat sash.
By contrast, the frothy dresses, ruffles spilling off of shoulders or peeling off the body to reveal lace bras and camisoles, were striking in their delicacy. The show climaxed with tulle gowns and capes gleaming with shooting stars or silvery moons — and then two of the most elaborate bed jackets you will ever see, quilted like a duvet and covered with dense floral embroideries.