Take a look backstage at the haute couture-show of Viktor & Rolf. Lats minute action before the dolls came alive on stage.
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What are you wearing during the fashionweeks? Your Gucci-shoes, that Balenciaga-shirt or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris Haute Couture autumn/winter 2017.
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What are you wearing during the fashionweeks? Your Gucci-shoes, that Balenciaga-shirt or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris Haute Couture autumn/winter 2017.
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What are you wearing during the fashionweeks? Your Gucci-shoes, that Balenciaga-shirt or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris Haute Couture autumn/winter 2017.
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
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Stella McCartney made a demonstrative statement on womanpower yesterday with her fall-show by drawing from two very different sartorial motifs, along the way imbuing the clothes with a newfound daring. McCartney approaches her work as a creative problem-solver, delivering wardrobe solutions for real women. So the juxtaposed bravado of equestrian-inspired tailoring and pointy-bra constructions startled. McCartney’s update, both under sweaters and in actual constructions, put the focus clearly on the breasts in a manner atypical today. The message was loud and clear: Women are sexual beings free to express their sexuality as they wish. They are also powerful, opinionated and strong.
Many of those women love great clothes, an essential fact of which McCartney never lost sight. She served them up with impressive tailoring, whether a great, loose-fitting coat or comfortably curvy coatdress in a natty British check. On a softer note: languid onesies with those bra constructions. McCartney went more casual with tomboyish paper bag overalls and a sweater sporting her animal motif du jour, a glorious pictorial of “A Horse Frightened by a Lion,” by the 18th-century painter George Stubbs.
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Phoebe Philo presented confident, distinctive women with a taste for classic luxury in her runway-show for Celine. That luxury looked advanced and individualized with a quirky cut, proportion, color or print. There was a sense of cosmopolitan practicality and versatility. Like the girl in the brown trench, crinkled as if it had been folded in a suitcase and worn with a leather hood tied around the neck, pants and galoshlike pointy leather boots. The woman in the black-and-blond fur coat over a casual navy V-neck sweater, aqua blue T-shirt and pants that zipped down over white heels, carrying a large, plain black canvas tote, like a reusable shopping bag, could have been trying to look like she wasn’t trying to look chic at the grocery store. A model — in a modernist Josephine dress, draped and gathered at the hem over lace tights and gold shoes — might have been headed to date night. Those carrying big fluffy blankets with their tuxedo tailoring and exotic prints, suggested travel, as did the model in a lightweight white trench done in a map print. We’ll definitely find parts of this collection back in mainstreet collections.
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Demna Gvasalia, Balenciaga’s talented designer, is genuinely experimental and unafraid to realize and run with audacious ideas. In a short time, that approach has garnered him a great deal of attention and a reputation as perhaps the coolest designer on the planet right now.
Again, Gvasalia displayed that sense of bravado, his collection packed with twists, turns and grand gestures made with a deliberate street attitude. The collection was inspired by the house photo archives, where he found pictures with the poses of [Cristóbal] Balenciaga’s house models as they clutch fabric and strike couture attitudes.
Gvasalia delivered a raw take on haute motifs, opening the show with a bold coat-and-dress series. One side of each coat was pulled way over and fastened on the opposite shoulder – and this was not a styling tric but the actual cut – apparently to give the look of a swath of fabric thrown over a model’s shoulder. These shapes looked bold and fresh, with a wearability range from runway only to real-word chic.
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Maria Grazia Chiuri built her new collection for Dior on the color blue. And according to the houses founder – Christian Dior – navy blue is the only color that can compete with black, since it has the same qualities.
Chiuri opened with daywear: a hooded monk’s tunic in cashmere cut to jacket-length and belted over matching cropped pants. She listed uniform dressing among her references, and leather berets and cross-bodies slung with the bags in back imposed a militaristic ardor on some of the dark, unfussy clothes.
Chiuri went more obviously Dior with jackets over graceful full skirts, but less so with denim, which looked fine and young. Evening proved interesting, as Chiuri’s models wore her moody, ethereal tulles and embroideries with relaxed attitudes.
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PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
Junya Watanabe likes the ounk-era and this time het drew inspiration from the source: London. His punks were dressed in electric yellow and red plaids that were patchworked with black leather, sequins, traditional tailoring fabrics, a host of floral and jacquard upholstery plus leopard prints done the classic way. Everything was collaged: amorphorous capes and dresses crafted from circles and pointy triangles, some fused with motor jackets, many worn over pleated kilts and layered with fishnet sleeves and tights.
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © 2017 TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
What are you wearing during the fashion weeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: Paris Fashion Week FW 2017.
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
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