Narciso Rodriguez Catwalk Fashion Show New York FW2011

The collection of Narciso Rodriguez was pure Rodriguez: smart, chic and architectural.
The lineup was rather refreshing. His focus was tight on all things geometric, structured and clean, and his clothes offered a great alternative to all the reworked and revamped sportswear seen thus far. Rodriguez’s show opener was a long black vest — a wide stripe of gray down the front, followed by a canvas dress, very graphic in its simple big block patterns. And so it went — almost every garment, whether coats, dresses or  pants, was precisely patchworked with bold squares, rectangles and trapezoids.
Rodriguez let loose with breezy silk dresses that added some edge to the collection. As for the palette, he kept things fairly minimal: neutrals, blacks and silvers, with the occasional shot of deep red and coral.

Rodarte Catwalk Fashion Show New York FW2011

Like a breath of fresh air brought in from a meadow, Kate and Laura Mulleavy’s autumn/winter 2011-12 collection for their label Rodarte was a moment of quiet grace in a maddening world.

This season, set in a clinically white gallery filled with neon light sculptures, the Rodarte archetype – with her windswept hair – continued her mystical journey in and around nature. This time, the sisters focused on the pastoral imagery of the Great American Plains. It made for one of their more serene and straightforward collections, and that means they can give their label commercial strength too.

The clothing had strong ties to the prairies and pioneers, with long sun-dresses in flaxen, muted gold and sky blue. Often these sheaths were worn with equally long coats. Other looks were familiar from last season, like the high-waisted pants and blouses of intersecting panels of fabric. The sisters evoked early American settlers with colonial pony-skin aprons and cinched waists over A-line skirts. Fabrics had a handmade look and feel, such as boucle wool, rough-hewn wools, floral and guipure laces and mohair knits. The season’s geometrics came in Amish quilt motifs, seen in the sweaters and  tops (patchworked from leathers and pony hair) as well as the tough, tribal-looking footwear with Native American beadwork. Dresses, with their slight bishop sleeves and prairie vibe, looked chic, while the floor-sweeping coats  featured the occasional cutout and crisscross straps for visual intrigue.

The draped silk goddess gowns looked simply beautiful and highlighted their theme literally. They all featured a sky and wheat field scene in various hues, depending on the time of the day.

Marc by Marc Jacobs Catwalk Fashion Show New York FW2011

There was a forties meets seventies feeling in the collection of Marc Jacobs’ second line, Marc by Marc Jacobs. What that translated into was a primmer, nerdier version of the Seventies, but with Jacobs’ vibe. This came across in the glassy, polished blouses and dresses that left practically everything to the imagination. This was not a sexy collection, nor was it sexless, it just maintained a more professional, adult mentality. The chunky knits, effortless dresses and sizable pants in muddy fall colours of orange and brown had a thrifted, serious quality to them. It somteimes reminded of Annie Hall. Also attractive was the Navajo-style ethnic prints on jackets and a long poncho.

This was a very commercial and dressed collection, but done in a casual way. Elegant dressing the easy way. Don’t we all want that?

First View New York FW2011: Strict Lace

Retro revenge with a leading role for lace. Who mentioned retro was passé and that it is time to look ahead? There is no future without history though.

This retro-style looks truly inspiring and stunning in a lovely mixture of fabrics. Sober suiting, chaste high-collared blouses in pretty patterns and prints and lots of super positioned lace. The silhouettes are stern yet graceful, severe yet curvaceous. Where Prada fancied the 50’s for previous winter, Vuitton touched the frivolous edges of the 20’s and 30’s for summer. Now both Jason Wu and Marc Jacobs confirm this perpetual fancy for retro, both framing their looks in lace.

Stylespot is a collaboration with Stijlinstituut Amsterdam

Streetfashion New York Womenswear FW2011 Day 5

What are you wearing during the coming fashionweeks? Your Prada-shoes, your latest Jil Sander-dress or that vintage Yves St. Laurent? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Fashion Week.

Y3 by Yamamoto Catwalk Fashion Show New York FW2011

For fall Yohji Yamamoto was inspired by a journey, by traveling around the world. In his opinion young people don’t travel enough. ‘My generation used to be called hippies. Now, young people are backpacking. By walking in the world, young people can see what’s happening, what’s going on. Don’t catch all your information from TV, or too quickly. Just walk. Go around’, he told The Cut.

And with this thought in the back of his head Yamamoto designed a very streetwise and cool collection. His boys and girls looked tough in his designs, walking the runway with their hands in their pockets.

It almost seemed as if Yamamoto took his traveling inspiration literally, since there were outfits for all types of weather conditions. Sporty black dresses, long skirts, Tartan printed shirts,  leather jackets, super thick menswear pants and comfy jersey items formed a nice, youthful Y3collection.

Caps, scarves, bags and big zippers gave the collection an even bigger street chic appeal and proved that even though Yamamoto is 67, he still knows how to Wow his customers.

Carolina Herrera Catwalk Fashion Show New York FW2011

There were not a lot surprises at the Carolina Herrera fashion show. It was a classic womenswear collection full of beautiful designs, yet it didn’t feel very fresh. The models were dressed properly but it all appeared very tame.

The models did look very elegant and feminine in their pencils skirts and tight dresses, accentuating their hourglass figures. Their sequined tops seemed perfect for a nice cocktail party and the enormous cuffs gave some looks an unexpected twist (though not very practical).

Some designs in orange, turquoise and blue, added towards the end of the collection, looked lovely and slightly younger that the first few looks. The colors of Karlie Kloss’ evening gown were daring, yet worked perfect together and made up for a Oscar worthy A-list look.

But we think Caroline Herrera doesn’t even need those celebrities to wear her clothes. We guess she has more than enough loyal customers who will immediately fall in love with this new collection. ‘Cause one thing’s for certain Carolina Herrera knows the woman she designs for all too well and always sticks to her (winning) code.

An Anna dello Russo moment at Marc Jacobs

Streetfashion New York Womenswear FW2011 Day 4

What are you wearing during the coming fashionweeks? Your Prada-shoes, your latest Jil Sander-dress or that vintage Yves St. Laurent? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Fashion Week.

Thom Browne Catwalk Fashion Show New York FW2011

Thom Browne’s first proper show of his women’s collection was a special kind of spectacle. He transformed the New York Public Library into a church with a convent’s worth of models dressed like nuns. Finally Browne found a way to mix his Catholic upbringing and his fascination for uniforms. His nuns marched in covered up except for the gigantic fake eyelashes peeking out from beneath their habits. One by one the girls were liberated from their cloaks by a pair of altar boys, only to reveal clothes that were the real cross to bear.

Underneath there were elements of Browne’s menswear vocabulary: checks, extreme proportions, difficult layering, and an absolute upending of red-white-and-blue tradition. Browne encased each woman in ultra-stiff, tailored layers done in exaggerated proportions with a preppy, varsity theme. There were shrunken suits in mismatched plaids,  blazers with giant peplums and layered maxi coats with shirttail hems, some of which will be wearable once the look is dismantled.

There was absolutely no sex in this collection, restriction was everywhere: the models walked without moving their arms, turtlenecks were pulled up over their mouths, and molded bubble skirts and tops looked about as comfortable as a straight jacket. That seemed precisely the point. One of the finale looks actually included a skirt made out of a cage of red and blue ribbon.

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