Day 02 of MBFWA is a fact. One of the highlights were the shows of Tess van Zalinge and TRINHBECX. But we also enjoyed the shows of Schepers/Bosman, Alexandra Frida and Said Mahrouf.
What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Vetements-denim? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: MBFWA fall 2017.
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PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
PHOTO © TEAM PETER STIGTER – FOR EDITORIAL USE ONLY – WITH CREDITS
For his fall 2017 collection Rick Owens sent out modern-day nomads, dragging their blankets and belongings around on their backs. Models, their stringy hair pasted to their heads and in disarray, wore nylon puffer pieces. They came in the form of mile-long scarves that dragged across the floor or coats, shawls and ballooning shrugs that resembled reworked sleeping bags.
All the proportions were exaggerated. Coveralls and trousers were as wide as elephant legs, their bottoms pooling over chunky sneakers and shoes with layered soles. Jackets were like voluminous leather sculptures, bulging with zipper pockets and pouches, while coats were made from ragged-edged patches.
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Louis Vuitton collaborated with cult New York skatewear brand Supreme for the fall 2017-collection. It surely will unleash some retail hysteria.
Items from the highly anticipated partnership were the stars of the Vuitton men’s wear show, held in a transparent tent in the Palais-Royal gardens in front of guests including David Beckham, Kate Moss and James Marsden.
Cobranded goods — ranging from a bright red fanny pack to a denim jacquard baseball shirt — peppered the collection, which Kim Jones, men’s artistic director at Vuitton, said was inspired by New York art stars of the early Eighties such as Jean-Michel Basquiat, Julian Schnabel, Keith Haring and Andy Warhol.
Oversized coats, long sweaters, sneakers and slouchy pants made for a casual attitude.
Pajama shirts featuring collages of Vuitton advertising images from the Thirties were a reference to Schnabel, while a camouflage jacquard weaving together the Supreme logo and Vuitton’s monogram nodded at Warhol’s self-portrait
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