Viktor & Rolf Haute Couture Fashion Show FW2016

Viktor Horsting and Rolf Snoeren have kept everything from their old collections, even the leftover silver sequins from the collection that won the Dutch duo top prize at the Hyères festival back in 1993.

They repurposed those sequins, and scraps from collections across their career, for their fall couture collection, weaving their own fashion history into rag-rug embellishments on vintage trenchcoats, military jackets, sweatshirts and denim.

Their impulse was sustainability — and to challenge themselves to create something different from fragments of the past. There were bits from their “Blue Screen” and “Van Gogh” shows — fall 2002 ready-to-wear and spring 2015 couture, respectively.

Beyond the fabrics, the silhouettes referenced past Viktor & Rolf shows, particularly the bulging finale coats, recalling their “Russian Doll” collection.

The sweatshirts and military jackets were marvels of jutting ruffles and twinkling patches of vintage buttons and errant crystals, the patches repeating on cropped jeans and khakis. The show reached a dramatic crescendo with a clutch of trenchcoats that morphed into full-skirted ballgowns, scraps of tulle tinted into delicate dégradés.

The white gown that capped the display also winked to Viktor & Rolf’s next move: A collection of wedding dresses to debut in October during New York Bridal Week.