Thom Browne Catwalk Fashion Show New York FW2011

Thom Browne’s first proper show of his women’s collection was a special kind of spectacle. He transformed the New York Public Library into a church with a convent’s worth of models dressed like nuns. Finally Browne found a way to mix his Catholic upbringing and his fascination for uniforms. His nuns marched in covered up except for the gigantic fake eyelashes peeking out from beneath their habits. One by one the girls were liberated from their cloaks by a pair of altar boys, only to reveal clothes that were the real cross to bear.

Underneath there were elements of Browne’s menswear vocabulary: checks, extreme proportions, difficult layering, and an absolute upending of red-white-and-blue tradition. Browne encased each woman in ultra-stiff, tailored layers done in exaggerated proportions with a preppy, varsity theme. There were shrunken suits in mismatched plaids,  blazers with giant peplums and layered maxi coats with shirttail hems, some of which will be wearable once the look is dismantled.

There was absolutely no sex in this collection, restriction was everywhere: the models walked without moving their arms, turtlenecks were pulled up over their mouths, and molded bubble skirts and tops looked about as comfortable as a straight jacket. That seemed precisely the point. One of the finale looks actually included a skirt made out of a cage of red and blue ribbon.

Donna Karan Catwalk Fashion Show New York FW2011

Donna Karan loves to work with contradictions. Masculine-feminine, natural and urban, soft and rough, satin and fur. She continued last season’s pale palette, now  pearl gray and taupe instead of ivory-beige.

As for the clothes, except two pairs of high-waisted draped jersey pants, Karan showed dresses, skirtsuits, and coats, along with a few filmy blouses with draped necklines that sometimes doubled as head scarves. Every look, without exception, had a nipped waist. Karan was at her best in terms of cut, decorating the clothes not with extra stuff but with elegant drapes and folds. One dress was tucked on a soft diagonal and wrapped in front; another fell into a gently  cowl. The jacket of a slim suit had sleeves that tapered from wide, puffed shoulders. Another big hit of this collection were the shearlings and coats.

Often the looks were accessorized with flowing chiffon headscarves worn with a mysterious air of the runway variety, exquisite pearl necklaces and long gloves with deep, dramatic fur cuffs.

Marc Jacobs Catwalk Fashion Show New York FW2011

It was all about polka dots and  looking polished at Marc Jacobs. Again, but now two decades later Marc Jacobs decided to use his favorite print again. It was a big step from his YSL/Seventies inspired spring-collection, but the designer couldn’t care less. He told WWD he’d thought about all things he’d done in the past and what he’d loved. He ran through all of his collections and presented his description of classic. From the trompe l’oeil to the polka dots to the glam collection that had the rubber, and the sweats that he’d done, all those crazy American classics. He just wanted to have fun.

We’re familiar with his mood-swings now, so it’s goodbye to gentle fluidity and hello to an austere line that was sliver thin and had a couture-like precision but also a girlish charm. The dots came small, medium and large; matt and shiny; flat and 3D and in an various fabrics: prints and embroideries, rubber and pailettes, fur and fake fur. Often Jacobs started with a white shirt as a first layer under  a boxy sweatshirt or curvy jacket over slim, sexy skirts. He also showed  sweaters, a men’s coat,  sailor pants and romantic lace dresses detailed with  jabots.

As for accessories, spotted socks, mini-berets and a range of slush-busting snow boots completed the collection. Plus handbags in vibrant car-paint.

Tommy Hilfiger Catwalk Fashion Show New York FW2011/2012

For coming winter Tommy Hilfiger managed to maintain his preppy touch, yet he took it to yet a wole other level. Wearing lots of deep, warm colors his models looked elegant and fresh.

Perhaps some looks (chalk suits, velvet blazers and tweed printed toggle coats) might appeared classic and boring at first sight, yet Hifiger gave every single outfit a fresh twist. His fully buttoned blouses were transparent, his tights had a stripe print, his knitwear was extra chunky and his(Burgundy) leather was super shiny.

The styling also felt new and modern. The floppy hats, the socks that peeked over the models’ boots and the high collars made up for a careless chic collection. And according to Hilfiger capes are going to be in fashion for at least one more season.

Though many looks might have had a very masculine appeal many women will be able to relate to this collection, as it was very wearable and sophisticated.

First View New York FW2011: Mix Mash

It sure is a happy start of Stijlinstituut Amsterdam Stylespot. New York Fashion Week presented us during the first days a hyper-color riot of mixed expressive prints, contrasting textures and various techniques. And that’s quite a new trend we spotted.

Where Preen shows it modern and tech, Libertine goes for a more poetic spirit, Ragbone takes the craft route where Thakoon and DKNY go graphic and regimental. These combined patterns and colors in gentle conflict give a new creative and upbeat flavor to the season and offer a great inspiration for upcoming fashion developments.

It underlines the growing interest in creative crafts and techniques and expresses brave optimism.

Stylespot is a collaboration with Stijlinstituut Amsterdam

Diane von Furstenberg Catwalk Fashion Show New York FW2011/2012

If you have a favorite color Diane von Furstenberg suggests you to wear a complete outfit in that shade. The 64-year old designer sent several full color outfits down the runway, with all items (even the boots, bags and bangles) in a different shade of the chosen color (green, red or blue).

She alternated those color(blocking) designs with eye catching graphic prints, which could be found on skirts, jumpsuits and dresses with low V-necks.

The collection, called American Legends, seemed Western inspired, judging from the brimmed hats, puffy sleeves, fringed boots and gauchos. Yet Diane’s Western Woman was glammed up a bit by metallic details (golden belts resembling the ones of Gucci’s spring/summer 2011 collection) , see through nettings, fur items and graphic cut-outs. (Especially the last three sequined evening gowns were full on glamour looks!)

If you dress by the code Less is More this DvF collection probably isn’t your cup of tea. But since there were a lot of different trends to choose from almost any woman should be able to find at least something she likes. (We have high hopes for the skirts and blouses!)



Thakoon Catwalk Fashion Show New York FW2011

When designer Thakoon Panichgul was doing research for his new  collection, he observed similarities between the costumes of Versailles and the clothes worn by the Masai.

Well, right. But somehow the designer managed to make a connection and it worked. The first look told it all:  a puff jacket with detachable panniers à la Marie Antoinette, but cut from a red and blue plaid ripped from a photo of African Masai-warriors. And Thakoon kept it going from beginning to end. Most of the patterns and prints, including arty batiks and stripes, were inspired by East Africa while the silhouettes mainly hinged on the courtly side — pouf peplums, ruffles and folds. It was ambitious. But the designer maintained control of this marriage of mixed motifs and the most striking thing was that despite the theme it looked so connected to the streets.

DKNY Catwalk Fashion Show New York FW2011

It looks like New York-based designers are preparing themselves for a cold and strong winter regarding the major outerwear focus most collections have.  At times and temperatures like this, a coat is your outfit — just look at all the fashion-people bundled up along the runway.

There were endless excellent choices on offer for next season at DKNY, with a theme called New York Mods. Donna Karan did those coats tailored and graphic, like the black styles with a bold white panel across the chest, adding a little edge with leather sleeves. Toward the end there were knit puffers and furs. It was all sharp and suitable for everyday use. Same goes for what was worn underneath. Tough menswear in sharp, colorblocked tailoring mixed up with motorcycle jackets. Karan worked up chunky knits with a preppy tomboyish flare: bright cardigan dresses and stripey angora sweaters were worn with tailored trousers, tapered and flared. It was a cool and right on time collection.

Preen Catwalk Fashion Show New York FW2011

Designers Justin Thornton and Thea Bregazzi’s of the British label Preen looked to the San Francisco crafts movement this season, but approached it in an ultra-modern way. They loved the idea of replicating hand-embroidery, tapestry and appliqué and incorporating it into their designs.

It was the first time Preen had knitwear and art and crafty embellishment in a collection, but it didn’t effect their future-vision. They experimented with proportions – hemlines were elongated, while single items looked like they were several garments. Shirt-sleeves and collars – appearing to be part of a shirt beneath – actually belonged to overcoats,  jumpsuits appeared as matching trouser-and-shirt looks and tapered skirts with  thigh-high splits were fitted with attached shirts. The effect was very modern. The vibrant pops of color, abstract geometric prints and embellished accents that jingled as the models walked by gave the classic silhouettes a touch of chic.

Streetfashion New York Womenswear FW2011 Day 3

What are you wearing during the coming fashionweeks? Your Prada-shoes, your latest Jil Sander-dress or that vintage Yves St. Laurent? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Fashion Week.

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