Rodarte Catwalk Fashion Show New York Womenswear SS2015

The Rodarte-sisters starting point for their spring collection were tide pools and all of the glistening, mysterious materials and textures therein. Whether they were referencing the life aquatic of their California youth or of their verdant imaginations, no matter. They mined the waters and came out with dresses mesmerizing in their messiness: elaborate pastiches of hand-painted laces, tulles, netting and embroideries.

But life isn’t lived underwater, or after dark only. The Mulleavys showed an affinity for daywear their way: lovely ruffle-collared blouses that looked plenty sexy atop skintight jeans. They developed outerwear as well, which they envisioned on a girl standing on the pier watching the water. These came in sturdy olive canvas with wide netting on the sleeves, as if some chic flotsam had washed ashore on a wave of inventive practicality.

 

Streetwear New York SS15 Day 1

What are you wearing during the fashionweeks? Your Gucci-shoes, that vintage Prada or your latest Givenchy-sweater? Maybe we’ll spot you in Paris, Milan, New York or Amsterdam. During the fashionweeks we refresh our streetwear posts regularly. We don’t judge, we’re not the fashion-police, we just enjoy fashion and your own personal style. Next stop: New York Womenswear Fashion Week spring/summer 2015.

 

 

 

 

Victoria Beckham Catwalk Fashion Show Womenswear New York SS2015

It looks like Victoria Beckham is re-addressing her aesthetic signature now that she has a store of her own in London. The designer approached spring a lot like a retailer, with staple items — a shirt, a sweater, a coat — that may have hinted at a few directions but were united by Beckham with polish and commercial appeal. These included the uniform-inspired khaki looks, such as the elongated coat with subtle military details like soft epaulets and workwear pockets. The knits and graphic stripes made a bolder statement, though she kept the lineup’s surprise for the finale of bright florals that were screen-printed on voluminous woven raffia skirts and shown with white cotton shirts.

DKNY Catwalk Fashion Show Womenswear New York SS2015

‘New York Nation’ was the theme of DKNY’s bold spring collection, which aimed to celebrate the city’s color, culture and creativity. Donna Karan translated the idea via bright hues, several graphically rendered like a kaleidoscope on oversize silhouettes. Those included the striking red-and-blue V-neck tunic over a full skirt with a soft flounce. The subtler colors achieved more effect, such as the crisp mint-green parka shown with a striped T-shirt and a miniskirt. It still captured the energy of Gotham, but with just the right control.

Alexander Wang Catwalk Fashion Show Womenswear New York SS2015

Alexander Wang translated the big sneaker-trend into clothes. He offered what one wants out of a sneaker: fashion, flashy function and baseline comfort. What would a Stan Smith look like as a dress? Pretty cute, it turns out, in white with a perforated flared skirt and molded, mesh bodice with a lace-up collar and green neckline. The classic Adidas Original tennis shoe was but one — and the most kitschy — of several that Wang played with. He wouldn’t name specific brands and styles, but one could intuit a New Balance moment in the group of subdued grays, such as tight therms and stretch track pants. The overarching theme was sporty — the silhouettes were streamlined, sculpted to the body in athletic curves and treated with all kinds of fun, technical fabrications sprung from the language of sneakers: the barcodes from underneath the tongue decorated tailored black-and-white riffs on tuxedos; a gray shift was embroidered to look like a lug sole. But there was also a sleek romance to the collection. Wang closed the show with a series of bare, molded bodices crafted from colorful plissés and pleats worn with high-waisted black satin pants that buttoned up the sides. 

The Big Round Up Womenswear FW14, Part 3

This is part three of our trend-overview of season FW2014. Take a closer look at Cosmic, Warriors and With a Swirl.

COSMIC

(Dsquared², Balenciaga, Gucci, Wang, Iceberg(

A touch of Barbarella spotted at Dsquared² with a slice of lunatic glamor. Much more strict, square and bold, the sporty hybrids of Balenciaga show a playful touch of humor. Cosmic starlets in leather mini’s at Gucci. More utility at Balenciaga, ready to hunt or to enter the lab? Chunky sweaters treated with crinkly silver foil, like an astronaut’s space suit at Iceberg.

 

WARRIORS

(Haider Ackermann, Rick Owens, Rick Owens, Haider Ackermann, Barbara Bui)

Brace yourself, the troups are nearing. The heroins of Haider Ackermann, show feminine and masculine symbiosis, in longer then long sumptuous slouchy suits.

Family tribes and high priestesses at Rick Owens wear sleeveless tunic dresses and ponchos in primal knit, felt and leather skins. Modern day cocooning goes elegant at Ackermann in lush jersey cap-sleeved onesies, the hit of the season. Barbara Bui shows chunky and sharp tailored jerseys.

WITH A SWIRL

(Chalayan, Dries van Noten, Christopher Kane, Roland Mouret, Just Cavalli)

Most excitement was in the added dynamics. All moving layers and slits in Hussein Chalayan’s gauzy gowns, glittering in liquid textures. Dries van Noten’s pattern mania shows psychedelic swirl with a rave quality. Christopher Kane’s organza dresses ruffle, since composed of fifty dark-trimmed leaves of the fabric. Sculptural as well as ethereal. Roland Mouret’s stiff coated tweed is animated by a swirling laser cut fringe skirt. Just Cavalli shows racy metallic collage prints, exuberant applications and skirts with an elegant swirl.

The dynamic promise of technology!

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

 

The Big Round Up Womenswear FW14, Part 2

This is part 2 of our trend-overview of the coming fall season. Between the continuous feel for sobriety, for real clothes and a new found spirit for informality , we did spot some true fashion statements. In percentage not that many, but nevertheless there. Found mostly in expressive materials, holographic coatings, laminations, cuts, fringes, 3D embellishment and eye-catching patterns. Where past seasons were strong on craft we now sense a steady shift towards technology.

Take a closer look at Crafted Luxury, l’Art Decoratif and the Wild Ones.

 

CRAFTED LUXURY

(Céline, Altuzarra, Stella McCartney, Michael Kors, Michael Kors)

Love for raw refinement. Céline wrapped her model in fluffy feather fringe, Altuzarra in simple elegant shifts from crafted tapestry weaves, Stella McCartney’s comfy tweed parka’s showed an earthy tribal feel, where Michael Kors went for maximum luxury in ombré pullovers, chocolate brown feather fringe and masculine suits made of floating luxurious cashmere tweeds.

 

L’ART DECORATIF

(Missoni, Burberry Prorsum, Bottega Veneta, Peter Pilotto, Tod’s)

Missoni showed abstract patched tanks in boiled and felted knit. Reflecting on Bloomsbury, Burberry hand-painted cashmere shawls to be worn on mohair coats. Technical wizardry was used to create this pattern magic – zigzag puzzles at Bottega Veneta. Exuberance and excess in trippy and clashing geometric prints at Peter Pilotto, where Tod’s showed mosaic-like lozenge patterns in multiple techniques.

 

THE WILD ONES

(Miu Miu, Saint Laurent, Fendi, Alexander McQueen, Marni)

A flavour of the primal. Miuccia Prada layered her padded and quilted dresses with grand volumes of fluff for Miu Miu, Saint Laurent‘s cool, pop princesses strolled the catwalk in fur, lazy with casual extravaganza. As human cats in long haired fluff. Wild beauty at Alexander McQueen, and – this is a quote – incongruous incursions of fur at Marni, just figure out yourself what this might be…

Stylespot is a collaboration with Stijlinstituut Amsterdam

 

 

 

 

 

The Big Round Up Womenswear FW2014, Part 1

As always we where overwhelmed with the flood of fashion beauty and material excellence coming over us during the global fashion weeks.

There was this continuous feel for sobriety, for real clothes and a new found spirit for informality motivated by utilitarian inspirations. Lot’s of chic citywear icons where given the sporty treatment. The best windbreaker, the most comfortable puff jacket, the most perfect trouser fit. Between those masses of garments some were excellent in their normality, perfect in execution, amazing in materiality. Supreme touch, perfect drape, etc. Technology is helping here and making top tailoring more accessible, performing textiles more sensual and expressive fashion textiles more functional.

Between those real clothes to please us, very close to what woman desire to wear instantly, we did spot some true fashion statements. In percentage not that many, but nevertheless there. Found mostly in expressive materials, holographic coatings, laminations, cuts, fringes, 3D embellishment and eye-catching patterns. Where past seasons were strong on craft we now sense a steady shift towards technology.

Then there is this big (in many ways) offering of the cosy and comfortable. We nearly dare to mention a return of the feel for cocooning. All about enveloping, embracing, sheltering and protecting. Wrapped in plaids, down blankets, furs, felt ponchos and most of all in knits.

Knits where everywhere this season. For separate items as well as total looks. Haider Ackermann uses them long, lean and liquid. Balenciaga is among the designers who experiment by laminating bulky knits; others just cut it as woven material, where many, as The Row, find excellence by use of precious fibre – cashmere has never been that big.

Where we expected previous season a future for narrative sets and spectacular venues this was limited to few. The stupendous supermarket setting of Chanel was the talk of the season, he vacuum-packed his bags where Iris van Herpen left her audience in awe by vacuum-packing her models. Both raised a manifest on consumerism, in Chanel’s case this is likely to be rather ironic. Political or social statements where hardly done. Fashion is where it used to be, fur is back bigger than ever without any thought or comment, quotes were there for a season in summer, but were empty phrases appliquéd on garments as decoration. Now the message was femininity, desire and being beautiful. Back to the core business of fashion.

In general it seems that designers very much care for how women feel, what a girl wants, how fashion makes them feel beautiful. Fall 2014 catwalk season was much more about the exploration of women’s fashion desires then about pushing designers signature looks.
Cherchez la femme!

URBAN TECH

(Alexander Wang, Prada, Christian Wijnants, Balenciaga, Miu Miu)

Outdoor and urban sportswear never looked that glamorous. Alexander Wang showed utilitarian city wear in experimental tech textiles, Prada staged a boxy shearling in mirroring gold. Silver foil jackets at Christian Wijnants cover tech double knit shorts and Alexander Wang laminated cabled knit monty’s to cover chain knit skirts. Miu Miu uplifted normality by adding hologram gloss to quilted shirt jackets.

 

INTER-GALACTIC ROYALTY

(Rodarte, Moschino, Thom Browne, Dolce & Gabanna, Etro)

Bumping into a Princess Leia look-a-like at Rodarte we realized that Starwars is still making waves. Jeremy Scott explored junk culture for Moschino and came up with the bright, brash and ingenious staging their urban princess, Thom Browne evoked the ecclesiastical and went for the sublime, it where king’s that inspired Dolce & Gabanna to dress up this princess, she is showing us the key towards success. Veronica Etro met her royalty during a trip down the Silk Road.

KNIT IT

(Yohji Yamamoto, Céline, The Row, Céline)

Knit is big in all senses. Impressive knit volumes – soft, bulky and warm at Yohji Yamamoto. Sensuality and tenderness is what drove Phoebe Philo towards her all knit wardrobes for Céline. Instant luxury is what the models must have felt when The Row covered them in these super-size double face cashmere knits. Simple, still and ultimately comfortable.

Stylespot is a collaboration with Stijlinstituut Amsterdam

First View New York Womenswear FW2014: Stillness

Stillness and quietude might be the one true luxury. We spot gorgeous drapes and wraps and composed kimono volumes. The absence of detail exposes the best in materials. Square cut nearly monumental silhouettes gain feminine spree through the drape quality of compact and chunky yet gorgeously supple wovens. Subtle surfaces where brush effects, felted looks and heather aspects add liveliness and a natural appeal.

BCBG Max Azria takes advantage of the endless layering opportunities that fall permits. The Row shows a range that is quietly spectacular made with 900-gram double-face cashmere. From soft and fluffy to a tranquil sculptural quality. Michael Kors plays with proportions and adds a firm grip to the choice of materials where Wang for Hugo Boss exercises his tailoring qualities with strong rigueur.

Once more the quality of cut and drape defined by the exceptional characteristics of the materials.

Stijlspot is a collaboration with Stijlinstituut Amsterdam

 

 

 

 

 

 

 

 

First View New York Womenswear FW2014: Cocooning

No one could anticipate the Polar Vortex but still the supersize hand-knit sweaters are warm and prodigious as were so many silhouettes this season. Chunky shearlings, and curly bold sweaters are round and sheltering above flapping skirt layers and drapy pants. Super lush and luxurious materials flourish best in simple understated shapes. Roomy and relaxed like comforting cocoons.
Michael Kors shows masterful shag furs, chunky cardigans and deluxe cashmere sweats on A-line skirts. The Row luxury wraps as cowl-neck cashmere sweaters and matching asymmetric hand-knit skirts. Love for comfort, exquisite materials and a soothing calmness and ease drives this look.
Marc Jacobs dyed his shearlings in sunset hues. Light and calm, a cosmetic neutral palette and a play on pastels like the fabrics had undergone a beauty treatment.
Inspired by the cosmetics of animal skins rather then ours.

Stylespot is a collaboration with Stijlinstituut Amsterdam

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