The Kingpins Show Amsterdam 2015

For two days Amsterdam was the homebase for The Kingpins Show , an invitation-only, boutique denim sourcing show featuring a highly-edited selection of vendors that include denim and sportswear fabric mills. The trade show acquired cult like status amongst denim professionals over the years. Kingpins grew into a platform a with biannual editions in New York, Los Angeles and Hong Kong. Kingpins is part of Amsterdam Denim Days. At the afterparty the official opening of Denim City was part of the event.

Amsterdam Denim Days 2015

From left to right: James Veenhoff from House of Denim, Mariette Hoitink from HTNK and Lucel van den Hoeven from de Modefabriek.

 

This morning Amsterdam Denim Days kicked off by presenting their programme for the coming edition.From april 13 – 18 Amsterdam will be the centre of attention for the second time for all those with an indigo heart. The programme has something for denim lovers of every kind, from brands and makers to wearers and speakers. From style-setting devotees on the street to the greatest innovators in the industry, together they create the ultimate blue.
There will be a public programme of six days in the city centre, with the festival Blueprint at Westergasfabriek as the ultimate closing act. And for the professionals there is the Kingpinshow and seminars on april 15 and 16. You will find all the details online at Amsterdam Denim Days

Of course TPS will be there to report, so keep an eye on our blog, Facebook-page and Instagram.

 

Miu Miu Catwalk Fashion Show Paris FW2015

For her Miu Miu-collection – the collection that closed Paris Fashion Week – Miucca Prada delivered a collection for lovers of real fashion. Fun house and funky fabrics electrocuted silhouettes that seemed inspired by the Sixties. Much of it was chic, a lot was tacky. But that is the tension Prada loves.
A-line swing coats with big collars came in blown-up herringbone plaids trimmed with color-clashing python pockets and borders.
Apron dresses with big plastic buttons and shirts with a wide ruffle around the shoulders expressed the naïveté that came through in the styling. Accessorized with costume floral earrings, necklaces and granny shoes, each look was put together with the enthousiasm of a young, fashion-hungry girl who just blew her allowance at a vintage store.

Louis Vuitton Catwalk Fashion Show Paris FW2015

For his third collection for Louis Vuitton Nicolas Ghesquière opened with outerwear, big puffs of white Argentinian shearling, their edgy polar-bear coziness enhanced with trunklike handbags in silver leather and diamond-cut Plexiglas.
Ghesquière experimented with materials and cuts. Ribbed-knit constructions had an aura of aggressive flirtation, curvy with a horizontal slash above the bust and skirt ending in a structured ripple. Modernist studded embroideries transported similar shapes from day to evening. As for the cuts, stretch jersey dresses sprung from a lingerie inspiration were spliced, inset and zipped. Ghesquière wove in basics, — pantsuits, sweater over miniskirt, red sheer T-shirt and pants. Long ago such looks would have remained in the showroom as the commercial collection. Today, runway to reality seem a small step.

Iris van Herpen FW2015 Backstage

Take a look backstage at the show of Iris van Herpen yesterday at the Palais de Tokyo in Paris.

Iris van Herpen Catwalk Fashion Show Paris FW2015

Iris van Herpen titled her fall collection “Hacking Infinity”, inspired by terraforming, or the process of transforming the biosphere of other planets to make them like Earth. The translation was not immediately visible in the clothes.
There were new fabric experiments — a translucent stainless-steel weave and a honeycomblike 3-D handwoven material with frayed edges. Both were introduced in the opening look, a sheer sleeveless top and short skirt. It laid a foundation for the soft vs. hard contrasts that ran through the show and climaxed with an off-the-shoulder bustier jumpsuit with a wide belt of sheer optical lighting film that distorted the waist — a novel way to achieve an hourglass figure.
Among the other showcase pieces were digitally fabricated dresses made from spiky black plastic, created with architect Philip Beesley, and towering shoes sprouting chunky crystals on the soles, a collaboration with Japanese shoe designer Noritaka Tatehana (of Lady Gaga fame).

Chanel Catwalk Fashion Show Paris FW2015

The Chanel staged looked like Brasserie Gabrielle, a place where the foreign-born proprietor celebrates the innate Franco traditions of diversity, resulting in debate and most of all, style. Guests arrived to the Grand Palais, transformed into a vast brasserie with all polished wood, leather and brass atop an intricate faux-mosaic floor, yet another manifestation of the power-fashion fusion that is Karl Lagerfeld’s Chanel.
There were senses of both classic Chanel and classicism upended. Suits, some with blouson jackets, were crafted from puffed squares of paper-thin leather; others, in tweedy plaids, featured skirts with deep bias borders. But Lagerfeld also made a big show of sportif, as in separates, Chanel-style: patterned sweaters and skirts under glittering parkas; sweater, skirt; cardigan layered over classic jacket and jeans; V-neck pullover stretched into a sweater gown.
There was even a riff on workwear: short and long takes on waiters’ aprons (tweed or embroidered; never white) tied on over pants. Into the mix, Lagerfeld incorporated young, fresh trapeze LBDs; frou in black and white; and, in a pret-meets-haute moment, a huge triangle coat in a plain gray wool and jeweled feathers.

Saint Laurent Catwalk Fashion Show Paris FW2015

The Saint Laurent models who strode out on the catwalk looked like rock stars or rock-star groupies. Their mini crinis, cigarette pants with suspenders, and Siouxsie Sioux eye shadow placed the audience a few years further on from Hedi Slimane’s Sunset Strip-y Spring collection.

Slimane’s Saint Laurent woman is a bad girl, wearing leather leggings with cutouts all the way up the thighs; a black leather dress slit up to her undies, assuming she’s even bothered to wear any; and ripped and shredded tights above black leather ankle boots. The shoes were killer. Alongside the punky rock star stuff there were a good number of the kind of animal-print capes, navy peacoats, leather motorcycle jackets, and patchwork furs.

Stella McCartney Catwalk Fashion Show Paris FW2015

For fall, Stella McCartney went for pragmatic sensuality, especially as it applies to day clothes.
The result: an engaging sophistication permeated the collection in which she both pushed and relaxed her specific parameters of feminine-masculine plays and deftly manipulated classics. Thick-knit sweater dresses worked on a slant and half open at the side over languid underpinnings bared an arm, a shoulder, a glimpse of leg. Bustiers in lightweight wools delivered discreet allure, matching trousers and long-sleeved shirts.

McCartney loves her Savile Row references and here delivered them with new femininity. Even at her most streamlined, she incorporated ladylike flourish. Mannish tweeds turned a shade gentle but unfussy in coats and dresses cut lean through the waist. The graceful ease continued for evening as McCartney made seemingly casual use of lush metallic jacquards and brocades, incorporating swirling insets into ivory dresses for a sexy effect.

Givenchy Catwalk Fashion Show Paris FW2015

Riccardo Tisci of Givenchy found his inspiration for fall in Victoriana and the Latin toreador. The models had their hair in tight, braided loops with exaggerated curls plastered onto cheeks and foreheads and the wore framing facial jewelry that replicated piercings and tattoos. They looked beautiful and fierce.
On Tisci’s runway the mix resulted in short, trim jackets over sleek pants which transitioned seamlessly to tailcoats, some with peplums or double cutaways; some piped in un-Brit scarlet. The tailoring was sensual but seldom arch, with considerable diversity within the sphere. For example, while most jackets veered sleek, a pair of jeweled stunners featured dropped shoulders and short, cocoon-like sleeves. Dresses came mostly in velvets – cut, printed, crushed – some corseted, some almost medieval in their fluid lines and Byzantine palette.

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