The Céline-collection for fall 2014 was about diversity, starting with lady-like fit-and-flare coats with off-beat button treatments. That continued with portrait collar tops tucked into wide-legged trousers. This established a subtle retro vibe that went in and out.
The thirties were on Philo’s mind when she was first thinking about the collection, especially women like Hannah Höch and Lee Miller, pivotal figures in the Dada and surrealist art worlds.
Despite the masculine elements in the collection — the oversize, man-styled trousers – Philo’s preferred emphasis was the tenderness of the clothes. That translated into pieces that were very much crafted by hand rather than manufactured. They were as sensual as the tweed knits that pooled extravagantly over platform sandals, as textured as the hazy animal prints. Philo underscored the importance of nature with the lush greenery that sprouted along the catwalk. She imagined her woman running through fields. The clothes themselves often felt bursting with life, with seams feathering and fraying.
